stories of travel, medical missions, and more

Month: December 2020

Favorite Trips: Of Strong Hands and Reservations

Once a month I will post a favorite story from the year prior

Travel Journal, 90

Would you like to hear a confession?

I had never had a massage. I’ve heard tell of two-hour-long massages. A complete stranger touching a rubbing my body in a calculated and meticulous way just hasn’t ever attracted me. And then when they’re done…you pay them. Paying for a massage seems a little, shall we say, illegally scandalous?

But this story is not about preconceptions. It’s about stepping into and through the looking glass, breaking down barriers. It’s about trying strange dishes and going strange places.

It’s about strong hands.

I walked into the house and found my dear friends from college (eons ago) speaking with their language tutor. As they chatted, I disappeared to shower away the travel-blues and airplane funk. Even more than sleep, I find that a cup of coffee and a hot shower cures most ailments and alleviates most travel woes. But if I was asked to nail down one negative aspect of travel, I would immediately reply with, “back pain.” Sitting knees-to-chest on a plane and sleeping in all manners of positions wreaks havoc on my body. And though the hot shower helped, it had been nearly 8,500 miles of airplane travel to get here.

After cleaning up, I joined in on the English side of the conversation.

“You okay?” I was asked, upon sitting. I must have winced.

“Oh yeah,” I lied.

“Are you sure?” My poker face could use some work.

“I’ll be alright,” I confessed, “my back just gets sore when I travel.”

Translations ensued and bilingual discussion commenced. It was decided (for me?) that I should get a massage. But I have never had a massage, said I.

No matter, said they. I needed a massage—but not just any massage.

No.

The only hands with power enough to lift the dark discomfort from my body were the hands of the great Pak Omar. Who, you might ask?

“His hands are like magic,” said the local language teacher. But finding him could be difficult. And for the next several days, we tried getting in contact with him, to no avail.

I was not sure if he even existed—this magical remover of back pain. Was he a legend? A name whispered in the wind? Was he a story fathers with aching backs believed in, like a pain soothing Santa Clause?

But finally, one day, we received news of his whereabouts and an appointment was set.

We pulled up to the small home to find Pak Omar waiting for us. We removed our shoes and he led us into the house. A couple of wooden benches lined the wall and two children watch a television on the floor. Omar disappeared and reappeared wearing what looked like a nicer, new shirt. I took his hand and noticed the sheer strength in this elderly Malaysian man (who, by the way, is greatly respected in his community).  My friend communicated my back-pain. He led me into a small room with a little wooden table, a pillow on one end.

Face-down, I laid on the cold wood and Pak Omar went to work. With those powerful hands he poked and prodded and whittled away the knots. Sometimes it felt like a waterfall of relief. And sometimes it felt like he was running me over with a large truck. But after twenty minutes, I knew I was a different man. Not only did I find relief from my back pain, but I now understood massage. But then he sat me up and looked at my shoulders.

With grunting, we tried communicating. He told me to turn my head from side to side. I did. Then I told me to reach and touch my toes. I did that, too. But he was not pleased with my performance.

Soon he put me on the floor. And before I knew what was going on, he sat behind me, wrapped his legs around and under mine and used an English word that frightened me.

“Relax” 

And with little notice, he started cracking my back and shoulder like twigs and branches. I stood up in a daze and Pak Omar went to work on my shoulders and neck.

I must have gotten the premier package, thought I.

But when all was done, I felt like a little Lego man who had been disassembled and then put back together. And boy did I feel great.

We shared a cup of tea and, without any language skills, talked about nothing. We just smiled and grunted back and forth.

Both my friend and I got massages that day. And it cost us 12 US dollars, for both of us. If I lived there, in the beauty and wonder of Malaysia, Pak Omar would have a steady client in this weary traveler.

 

anthony forrest

Better Things to Come

as the old comes to close

the end now in sight

it’s easy to glance backward

at the plight

and failures

of the unmet goals

so resolute at the first

we met life with thirst

ready to drink it down

but this glass had holes

and now it ends

a new time is come

more of the same?

perhaps

but such a shame

to go about this world

without a hope stirred

in our hearts

awaiting

better things to come

 

anthony forrest

The Reason

Nativity we found in Israel

Not for lights not for laughter

Not for feasts nor the fellowship after

 

Not for friends nor for family

Not for the gifts though given are many

 

Without all these things a reason there is none

Save that God sent His only begotten Son

 

He is the reason that Christmas is here

His Child should be the focus of our holiday cheer

 

Not for trees in the houses nor boxes on the shelves

Not for the time we spend shopping for somebody else

 

Without all these things a reason there is none

Save that God sent His only begotten Son

 

anthony forrest

Dark Magic

Travel Journal, 89

My work as a paramedic has led me down strange roads. And the care I’ve provided has caused me to think differently about modern medicine. Don’t get me wrong, I still believe in modern medicinal treatments. But if I was some kind of plague doctor in the Early Middle Ages, my type of patient care would probably get me burned at the stake, or maybe drowned, or both. I hear that was pretty popular.

For example, I was treating a patient many, many years ago. As part of this person’s treatment, I administered a very strong medication with a psychoactive and hallucinogenic affect. It’s not a medication used often; it can be an addictive-controlled substance. And to be honest with you, I didn’t use it very often. But as I injected the medicine into the patient’s IV port, the patient’s eyes jittered for a while, he paused like a possessed mannequin, and time (for him at least for him) stopped. After a few moments, the patient began to move like a toy being rewound. He eventually looked at me with a shocked look on his face.

“How do you feel,” I asked.

With a wild look in his eyes he said, “It feels like you pulled my soul through the back of my head.”

If that wouldn’t get me gullied in the market square back in A.D. 850, what would?

As a general rule, I personally try to stay away from most medication. But I didn’t feel like I had a choice at the Haneda airport in Tokyo. We had just finished a great visit to Japan, one of our favorite places. My wife was leaving for the States soon. But my flight on to Malaysia to visit a college friend would leave two hours later. I had worked a 12-hour night shift that culminated in climbing onto a 13-hour flight to Tokyo. We had a whirlwind trip of excellent food and great experiences.

But I was tired. And I still had 10 more days in Malaysia.

Between all the traveling and the endless nights of work as a paramedic, sleep isn’t exactly something I get often.

After I got my wife to her gate and kissed goodbye, I wandered the airport in search of some coffee and then, I saw it—a small pharmacy nudged in the upstairs of the airport. It looked like a place most Americans wouldn’t go. Perfect.

My eyes scanned the shelves for something to help me sleep on my forthcoming 8-hour red-eye. And then I saw it.

The box had a little crescent moon and a tiny person sleeping on a bed with a line of “Zzzzzzz” floating from his head.

Being medically minded and endlessly curious, I got out the ‘Ol Google Translate and went to work on the ingredients list.

And Lo, listed before my eyes, were two ingredients made directly from Barbiturates—that long lost sedative no longer in use in the US. But here in Japan, a guy can buy the proverbial good stuff.

I bought my packet and walked to my gate. Just prior to the flight, I popped one tablet (as recommended) and then an additional two Benadryl (as is entirely not recommended).

The next eight hours are a blur of slow-motion flight attendants and on/off sleeping in strange positions. Never have I produced so much saliva. But I will say this; the flight went pretty quick.

Dark magic indeed.

 

anthony forrest

Favorite Trips: Seamless

Every month I post a favorite story from the year prior.

From Travel Journal, 41

Both my wife and I grew up in small towns, I in the west and she in the north. We both remember dirt roads, corner stores, small communities, smaller buildings, and limited diversity. Though we live in a small town now, our lives are heavily peppered with city influences.

Traveling to cities over the years has grown on us, taught us. And though each may have their similarities, each city is different.

Our faces hit the sunlight as we climbed up and out of the hole in the ground. With subway stations every quarter mile or so, getting around is easy. All around us rose sky-scraping towers. And the streets were paved with the purest of golds—street food. At first blush, it looks like any other city, until, right in the middle of it all, a clearing in the concrete jungle reveals the Kabuki-za Theater.

No, this is not New York, Chicago, London, or Paris.

This is Tokyo.

Some cities claim to mix old and new. But no place achieves such a pure blend as Tokyo. To your left: Yodobashi Camera, selling technology that most Americans won’t see for years. To your right: a Shinto shrine that is older than most sovereign nations.

And the blend is seamless.

From the subway station we step onto the famous Ginza and up to the old theater. We wait in line to buy our tickets, just for one act. Our attention spans are far too short for five hours of theater. Nearly a hundred of us filed into the doors and up the elevator, onto the fourth-floor mezzanine of the theater.

A curtain hangs below. It depicts Mount Fuji—the Rising Sun in the background. The play begins; the curtain is drawn. The actors below dance and portray an ancient story from the olden-time, the time of the Samurai. Their movements are lavishly exaggerated. And the milky-white face paint can be seen easily from my seat in the balcony. Drums beat. Three-stringed tones of the shamisen call. The audience shouts strange encouragements to their entertainers on the stage.

Yet not too far away, on the busy street below, taxis take businessmen to airports. Women walk into Louis Vuitton Stores. And sitters in booths try to convince passersby to change their cell phone plan.

Seamless and new.

Timeless and old.

This is Tokyo.

 

anthony forrest

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